Composition of soundtracks for theater, films and documentaries

"I think that music is underestimated in the theater, I have seen works from the professional circuit in which music is used (I hope licensed) that is not composed for the play, believing that because it is, for example, a play set in the 50s, it is has to use an original recording from that time, as if it were the only way to transport the viewer and incidental music was banned because they wanted to emphasize that the show was theatrical, more real and palpable and therefore the music must be something that the viewer already knows. I think that original music continues to have the same or more importance than in cinema, I think that music composed expressly for a play is underused."

David G. Bonacho is the composer of the soundtracks of the short films "Multiverso" (2021), "Sájara" (2013), "Libby" (2015), "A los que gritan" (2011) or "Té y Café" (2005), among others, and the music of the plays "Matar a Jesus" (2023), "Tortuga y el mar" (2017), "Gaia" (2000), "Iván el imbécil" (2017) or "Tullidos" (2018) among others.

Tireless explorer of the possibilities offered by the use of acoustic instruments in combination with environments or soundscapes made from analog and digital effects. All of this in the service of creating atmospheres that move the listener.